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I hope Mariah Carey has a comeback
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Mariah Carey performs at the New Year's Eve celebration in Times Square on Saturday, Dec. 31, 2016, in New York. - photo by Carmen Rasmusen Herbert
I havent been able to stop thinking about Mariah Careys disastrous New Years Eve performance.

Gathered around our fireplace, my husband and I and a few other couples sipped on Martinellis and munched on chocolate treats. Around 11:30 p.m. we turned on Dick Clarks New Years Rockin Eve with Ryan Seacrest and saw superstar Mariah Carey hit the stage.

Is she lip synching? I watched as Mariahs mouth moved slightly out of synch with the backing track.

Yep, I said. Shes definitely not singing live. And then, almost as if we jinxed her, Mariah missed a whole line of her opening "Auld Lang Syne" song. I felt sorry that one of the most successful and idolized female singers of all time felt she couldnt carry her own show vocally.

And then, disaster. What should have been a smooth transition from one lip-synched song to the next went horribly wrong when just the minus track played, without her backing vocals. Mariah clearly didnt know what to do. Stumbling around stage, she mentioned she couldnt hear the track in her ear buds, urging the audience to sing instead.

Im just trying to be a good sport here, she said hoarsely, her speaking voice clearly not matching the recorded vocals of her previous song.

Her last song, Emotions, started out a little better with the lead vocals back on, and she went on lip-synching and pretending the world hadnt just caught her faking it. But after a while she gave up on the stunt and began talking over the song, yelling out Happy New Year! to the crowd who, according to sweet, always-thinking-on-his-feet Ryan Seacrest, loves Mariah Carey no matter what she does.

What she did was back out on a live performance. I wonder what it was that had her so nervous as to forget how to entertain an audience? She has gone on to blame Dick Clark Productions for technical difficulties, no sound check, and even hinting at sabotage. The company responded with this statement (as published by the New York Times):

To suggest that (Dick Clark Productions), as producer of music shows including the American Music Awards, Billboard Music Awards, New Years Rockin Eve and Academy of Country Music Awards, would ever intentionally compromise the success of any artist is defamatory, outrageous and frankly absurd. In very rare instances there are of course technical errors that can occur with live television, however, an initial investigation has indicated that (Dick Clark Productions) had no involvement in the challenges associated with Ms. Careys New Years Eve performance.

A spokeswoman for Carey argued back, saying (via USAToday.com), Unfortunately there was nothing she could do to continue with the performance given the circumstances.

Except there was. She could have sung live or at least made some kind of performance out of it instead of talking her way through each song, telling the audience sarcastically how awesome that just was. Whatever happens with music not working, ear buds cutting out, feedback from the mics, wrong songs being played, etc., pushing through and performing is Entertaining 101. She should know that she is an international superstar who has had years of performing on stage.

I think this was an embarrassing gotcha moment of Mariah not showing up for sound check and then hoping for everything to come together. I felt terrible for her. I know from personal experience how devastating it is to have to suffer through a bad performance on live television, and I hope her career doesnt suffer long-term because of it. One bad performance shouldnt erase decades of incredible ones.

I am crossing my fingers for a comeback.
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Have You Seen This? Street musician slays with clarinet
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Better than almost every face-melting guitar or drum solo. - photo by Facebook video screenshot

THE BIG EASY — Yeah, yeah, we all know that New Orleans is stuffed to the gills will incredible musicians.

But knowing that fact and then hearing that fact are two different things. You can step into any number of jazz clubs on any given night on Bourbon Street, and you’ll probably be impressed with virtually every act. Or you can sit at home on your comfy couch and watch this featured video.

In the video, you’ll see a woman who is in the groove. She is swinging hard, and wailing on her clarinet with a practiced expertise that makes it sounds so easy.

From note one you’ll be drawn in; your appreciation will grow with every second, and then your face will melt off when you realize how incredible she really is.

If you’ve never played a woodwind or a brass, you may not know everything that comes with a performance like this. Lung capacity and breath control are huge factors in keeping your notes clear and loud, and hitting those high notes is especially difficult.

So when this woman hits that high note and holds it for several seconds, you know you’re dealing with an exceptional musician. It means she has worked hard for years to develop skill on top of her natural talent, and we get to benefit.

It kinda makes you wonder how we let people get away with mumble rap and autotune when talent like this exists in the world.

I wish this video were longer, and I wish I had more information about this woman, but as it is, we’ll just have to appreciate the little flavor of New Orleans jazz posted by the Facebook group Clarinet Life.

Martha Ostergar is a writer who delights in the ridiculous that internet serves up, which means she's more than grateful that she gets to cruise the web for amazing videos to highlight for your viewing pleasure.
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