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'Race' is an admirable but flawed take on Jesse Owens' remarkable story
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Stephan James, left, stars as Jesse Owens and Shanice Banton, right, stars as Ruth Solomon in Stephen Hopkins Race." - photo by Josh Terry
"RACE" 3 stars Stephan James, Jason Sudeikis, Eli Goree, Shanies Banton, Jeremy Irons; PG-13 (thematic elements and language); in general release

"Race" is a collection of good parts that make up a decent whole. Based on the true story of Jesse Owens, the African-American track star who won four Olympic gold medals at the 1936 games in Berlin, Race covers a lot of ground and delivers some memorable moments, but struggles under the weight of its scope.

"Race" opens in 1933 as Owens (Stephan James) leaves his home in Depression-era Cleveland to attend college at Ohio State University. There he meets coach Larry Snyder (Jason Sudeikis), a former runner struggling with the pressure of running a top-flight track program.

It isn't long before Owens begins to generate publicity with his feats on the field, and the focus is soon trained on the Olympic Games. But no matter how good Owens may be, the threat of an American boycott of the Nazi-hosted event could render his performance irrelevant.

Owens also has issues closer to home. 1930s Columbus is no warm welcome for black athletes, no matter how talented they are, and the prejudice even permeates the OSU locker room. And back home, Owens has a fiance (Shanice Banton) and young child to support, which gets tricky when you factor in the temptations that arrive with fame and fortune.

While Owens wrestles with his personal challenges, Avery Brundage (Jeremy Irons) is cast as the Olympic liaison between the American government and the Nazis. As he negotiates behind the scenes, he encounters Joseph Goebbels (Barnaby Metschurat) and Leni Riefenstahl (Carise van Houten), the filmmaker tasked with immortalizing Hitler's showcase games.

A lighter touch might have helped these scenes, as the action comes to a halt in an almost melodramatic manner whenever Goebbels appears on screen. (Hitler himself is only seen in fleeting glimpses.) But the American moral dilemma is clear: Is it better to participate and set politics aside, or stand up for the human rights the Nazis trampled? Owens shares the same dilemma, only complicated by the racial tensions of his own country.

The most compelling element of "Race" is how it brings together narratives that have been heavily explored in other films. The issue of racism in America has been mined extensively, as has the Holocaust of Nazi Germany. By bringing both issues together in a single historical film, "Race" stands apart from its peers, but it also struggles under its own weight.

And that's why it might be easier to look at "Race" as a member of a third genre a sports movie. In fact, the athletes in "Race" even refer to the idea of sports standing apart from politics and the pressures of culture, or at least intending to. When he is out on the track running, Owens says, he truly feels free.

James is convincing as Owens, if a little two-dimensional, and "Race's" actual sports action is comparatively minimal. But given Owens' historic success at the games, "Race" is less about suspense and more about appreciating the path he took to get there. Its storytelling might be labored, but its still a story worth seeing.

"Race" is rated PG-13 for thematic elements and language; running time: 134 minutes.
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Have You Seen This? Street musician slays with clarinet
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Better than almost every face-melting guitar or drum solo. - photo by Facebook video screenshot

THE BIG EASY — Yeah, yeah, we all know that New Orleans is stuffed to the gills will incredible musicians.

But knowing that fact and then hearing that fact are two different things. You can step into any number of jazz clubs on any given night on Bourbon Street, and you’ll probably be impressed with virtually every act. Or you can sit at home on your comfy couch and watch this featured video.

In the video, you’ll see a woman who is in the groove. She is swinging hard, and wailing on her clarinet with a practiced expertise that makes it sounds so easy.

From note one you’ll be drawn in; your appreciation will grow with every second, and then your face will melt off when you realize how incredible she really is.

If you’ve never played a woodwind or a brass, you may not know everything that comes with a performance like this. Lung capacity and breath control are huge factors in keeping your notes clear and loud, and hitting those high notes is especially difficult.

So when this woman hits that high note and holds it for several seconds, you know you’re dealing with an exceptional musician. It means she has worked hard for years to develop skill on top of her natural talent, and we get to benefit.

It kinda makes you wonder how we let people get away with mumble rap and autotune when talent like this exists in the world.

I wish this video were longer, and I wish I had more information about this woman, but as it is, we’ll just have to appreciate the little flavor of New Orleans jazz posted by the Facebook group Clarinet Life.

Street musician killing it on clarinet

She must have lungs of iron! Its inspiring hearing the upper registers being played so well.

Posted by Clarinet Life on Tuesday, December 11, 2018

Martha Ostergar is a writer who delights in the ridiculous that internet serves up, which means she's more than grateful that she gets to cruise the web for amazing videos to highlight for your viewing pleasure.
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